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Stabbings, bashings and glassings are much reported and much deplored. Now the violent video game Left 4 Dead 2 has been banned. Violence goes with being human. It may be avoidable, but it is not likely to be avoided.
Cardinal Pell called some of this year's Blake Prize finalists 'anti-religious' and reflecting 'confusion about what is religious or spiritual'. Religious experience is not confined within the walls of holy buildings. This year's Blake Prize winner attests to this.
Members of the Interreligious Coordinating Council in Israel are remarkably sanguine about the future. Within their lifetimes, they expect peace to reign after implementation of the two state solution.
For those who value serious content over sensationalism and glitz, who want media meat rather than fairy floss and cake, the 'slow TV' movement is a welcome part of the new media explosion on the internet.
The video featured on this page is a substandard, pirated copy of an artist's work, posted on YouTube. For most of us, it's the only means of seeing some of the most celebrated work of one of Australia's leading emerging artists.
When celebrities die, public grief is disproportionate, because death reasserts the humanity of one who has seemed beyond it. Jackson had become so far removed from his humanity that the shock of his mortality is even more profound.
Fitna is a heavy handed piece of anti-Muslim propaganda. It plays into the kinds of sentiments and fears that are exposed when, for example, plans are put forward to build a Muslim school on Sydney's southwest fringe.
Brian De Palma's Redacted took as its grim inspiration the true account of the rape and murder of a 15-year-old Iraqi girl, and the murder of her family, by a wayward group of US troops in 2006. It plays pretty fast and loose with the facts.
In 1974 French acrobat Philippe Petit balanced mortality and destiny on a wire between New York City's Twin Towers. This documentary imbues Petit's dizzying, existential quest with the dramatic tension of a bank heist.
One was shot on location in Pakistan by an amateur Sydney filmmaker. The other is a cartoon made by an Iranian expatriate about life in Tehran. What do such different films have to tell us about humanity in the Middle East?
Cult filmmaker Romero fears that new media has, rather than democratising the news, led to increased tribalism that is divisive rather than unifying. He articulates these fears in his latest high-concept zombie film, Diary of the Dead.
Norma Khouri's fraudulent account of a friend's honour killing became a bestseller before her lie was exposed. Forbidden Lies also considers the way media spin facts into versions of the truth, and how artists use licence to carry their cause.
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